Category Archives: Fruit Watercolor Painting

Watercolor painting – Study of dry brush technique

Andrew Wyeth "Wood Stove", 1962, dry brush on paper. 35x68 cm

I have recently read an article written by Peter V. Nielsen on drybrush technique. The title of the article is Drybrush – a watercolour technique explored by Andrew Wyeth.  I find it very interesting that Andrew Wyeth divide his watercolor into plain watercolor and dry brush.  He might start with plain watercolor techique but changes partly or fully into this more expressive dry brush technique.  After I read Peter Nielsen’s article and the Wood Stove painting by Andrew Wyeth in 1962, I want to try this myself but could not find much information on the web about this technique.

Watercolor Painting Dry Brush - Pear

Then I found a site by an artist in Trento Italy called Ottorino De Lucchi.   He has develope a  dry brush technique over the years which allows the painting to maintain the brightness of the watercolor.  I saw his paintings on the web and it amazes me with the detail and brightness of it that I want to try it myself.  So I read his article on the technique which he generously share and started with a small study of a pear.  I have started with the dry brush technique he mentioned with layers and layers of dry color right from the palette but the result was needless to say, quite disappointing.  I have put layers upon layers of color to build it up as in Ottorino’s instruction but still I am not happy with the result.  I found that this technique is very time consuming and I have much to learn and to study about this dry brush watercolor technique.  Nevertheless I will try to finish this study in a few days and keep it as reference for my future watercolor technique.  Well, here it is showing my unsuccessful attempt on learning the dry brush technique.  I will write about it tomorrow and show my finish watercolor study tomorrow.

Three Pears Watercolor Painting

Three Pears Watercolor Painting

I have finished painting the three pears over the weekend.  It is a 15 x 20 inches watercolor painting on cold press watercolor paper.  The process take the most time in taping the three pears individually over the rest of the painting.  Then color is applied on to a tooth brush and flick on to the surface.  Each one was done after the individual pear is dry.  It is lots of fun though.  One comment I like to make is that I would like to see more of a background than just plain watercolor wash if I am going to attempt another similar painting.

Watercolor Painting – Three Pears

Watercolor painting - Three pears 15 x 20 inches

Watercolor painting - Three pears 15 x 20 inches

This is a 15 x 20 inches watercolor painting of three pears that I have started yesterday.  It has been painted on Strathmore watercolor paper in a block.  I found that the paper seeems to yield a dull finish and the shiny fresh pigment seems to have dulled once the watercolor paint is dry.  I will try more of it and compare to the Arches paper that I usually use.  It is still 140 lb cold press paper and is comes in a block which you separate after you finished the painting.  You can buy this is any Art Supply Store and actually it is very handy because you don’t need to tape your paper down and it remains relative flat.  The only complain I have is that it is not usually the cut size of standard sheet of watercolor paper.    The watercolor painting for three pears was done using a wet in wet wash on the pear and each of the pear was done while the other one was in the drying process.  I will continue with the background and the texture of the pear in the next post.

Ballroom Dance watercolor painting and Three pears watercolor painting (new painting)

Ballroom Dancing Watercolor Painting (after revision)

Ballroom Dancing Watercolor Painting (after revision)

Ballroom Dancing Watercolor Painting (before revision)

Ballroom Dancing Watercolor Painting (before revision)

I have done two different things in watercolor last night.  I have put on some minor details in the Ballroom Dancing painting and also darken the shadow area under the ballroom dancers.  I have put it up on an easel and look at it every day as I walk by and still are not too happy with the painting.  I don’t know what it is yet but I will come back to it later on when I find out.  Appreciate any help from the comments.

Watercolor Painting - Three Pears 15 x 20 inches

Watercolor Painting - Three Pears 15 x 20 inches

Besides that I have started another painting.  It is three pears on a 15 x 20 inches Strathmore cold press watercolor paper.  I started off with a light pencil sketch of the pears on the watercolor paper.  Because of the time I already spend on revising the Ballroom Painting and the sketch of this new painting, it was late in the night.  I cleaned my palette but forgot to change the brush cleaning water.  So as soon as I dip into the water and put some on the palette, I can see that it is a dirty grey.   So I found out that you have to replace your jar with clean water often or have several jars of water before you start.  It is important to have a clean palette and clean water always.

Daily Watercolor Painting – Five Pears (touch up)

Watercolor Painting - Five Pears - after darken shadow ( 7.5  x 22 inches)

Watercolor Painting - Five Pears - after darken shadow ( 7.5 x 22 inches)

Watercolor Painting - 5 Pears (before darken shadows)

Watercolor Painting - 5 Pears (before darken shadows)

I did quite a bit of watercolor painting and drawing last night but have not much to show for.  I have changed and fine tune the ballroom painting to get it more detail on the gown and darken the shadows on the floor.  For the Five Pears watercolor painting I have shown above, I have darken the shadows with several layers of watercolor wash.  I always felt that the one before I darken the shadow seems not finished and there is not a complete range of light and dark in the painting.  I always try to achieve the total range of brightest to the darkest in my painting except for the ones that I desire a certain mood to it.  It is this whole range of grey or tones from brightest to darkest that gives a painting the spark.   I think it does make a difference in the Five Pears watercolor painting above.  Also I would always try to save as much non painted white space to let the whites of the paper shine through.  I don’t think I have left any in this watercolor painting but I will try to do it and learn to do it more often.   Last night I also did a sketch of three pears on a cold press watercolor paper so I will try and put the watercolor paint on tonight.  I value suggestions and comments on my work so we as passionate watercolor painters can benifit on this ongoing learning process.

Daily Watercolor Painting – 5 Pears 7.5 x 22 inches

Daily Watercolor Painting - 5 Pears

Daily Watercolor Painting - 5 Pears

Being the holiday season and I have a few days before I post, I painted a larger watercolor than usual.  It is a watercolor painting of five pears and it measures 7.5 inches by 22 inches.  I was lots of fun although it has taken me much time in painting each pear.  After all the pears has been painted, each pear is taped to cover the rest of the painting.  Watercolor paint was then applied by flicking a tooth brush with dark watercolor.  It was a time consuming process.  After all the pears are done and dried, a background is painted using gradated wash and the bottom was painted with a value to demonstrate a table effect where the pears are sitted.  Last but not least, the shadow is being paintined on with a watercolor wash.

Daily Watercolor Painting – Papaya Still Life

Papaya watercolor painting - 7.5 x 10 inches

Papaya watercolor painting - 7.5 x 10 inches

Last night I did  a 7.5 x 10 inch watercolor painting of a papaya that has been cut in half.  It was lots of fun and not as easy as I thought.  The difficult part was getting the right color intensity on the seeds and the skin.  Shadow always present a problem for me and this one is no exception.   First I painted the skin with Winsor Yellow from Windsor and Newton.  It  is a transparent cool but towards green watercolor paint.  I added a touch of green for some part of the papaya skin for the shade.  After it is dry, I painted the yellow outline on the fresh of the papaya.  This part of the watercolor painting is the most difficult because I try to use wet in wet wash and when I apply the orange color of the fresh after the yellow outline, the outline disappear into the orange hue.  For the  orange color I use Cadmium Red mixed with Alizan Crimson both of Winson and Newton Watercolor.  It took me a third wash to get the desire orange color on the flash of the papaya and some lifting of color on the outline to get back the yellow color underneath.  After it is dry, I continue painting the  seeds of the papaya.  I mixed Winsor Green (Blue Shade) with Alizarn Crimson to get the grey color for the lighter color seeds.  But before I painted the seeds, I painted the yellow color around it with Winsor Yellow mixed with New Gamboge.  The darker or shadow of the seeds were painted with a mixture of Winsor violet and Winsor Green which gives me a black.  It is a fun watercolor exercise after all.

Watercolor Painting – Banana

Watercolor Painting - Banana

Watercolor Painting - Banana

Did a watercolor painting on a bunch of banana last night.  It was done on 7.5 x 10 inches Arches cold press watercolor paper.  Winsor Yellow watercolor paint was used for most of the banana in a wet in wet wash.  The most difficulty I encounter is in the shadows.  It was not easy because of the place of the lighting and the shadow made on the surface.  I should get back to finish my ballroom dance watercolor painting after this one.    I am trying to see what I can do to flatten the watercolor painting after it has been finished.